Subhash K Jha: You will find some uncomfortable answers in City Of Gold
Move aside. There is no room for artifice in Mahesh Manjrekar’s latest work. A raw, guttural, gritty, intense, edgy, mordant…
Subhash K Jha: In Phoonk 2 you wonder what the fuss is about
In one of his multitudinous interviews to promote this intended shiver giver Ram Gopal Varma said the scariest film he…
Subhash K Jha: The style behind Paathshaala is in its inner conviction
If a piece of cinema ever had its heart in the right place, this is it. Don’t let the sluggish…
Subhash K Jha: Prince is more the Bourne territory than Ghajini
Look what the cool cat dragged in! It’s not a bird (though he does fly across the sky). It’s not…
Subhash K Jha: The Dimple-Nana relationship is endearing in Tum Milo Toh Sahi
Just for the pleasure of watching Nana Patekar and Dimple Kapadia together, this quaint and sincere look at love across…
Subhash K Jha: They don’t make screen-moms like Rekha and Hema any more!
It is deliciously ironical that during the week that our tennis queen Sania Mirza announced she would marry in Pakistan,…
Subhash K Jha: Well Done Abba is a little sparkling gem of a film.
Drawn from the innermost recesses of its extraordinarily versatile, profound and prolific creator’s mind, somewhat like the water that emerges…
Subhash K Jha: The chemistry between Warsi and Mirza is first-rate.
The sheer delight of watching Arshad Warsi playthe lead rather than the supremely self-assured sidekick gives this otherwise-pale rom-com a…
Subhash K Jha: Shaapit has a certain coherence and clarity generally denied to the horror genre
There are good spirits and bad spirits waltzing all over the place. All we have to do is reach into…
Subhash K Jha: Love Sex Aur Dhokha gets as rough and jolting as any film can
There is no love in any quickly-digestible packages, little on-screen sex, and a whole lot of dhokha in Dibakar Banerjee…
