Subhash K Jha: Badmaash Company is a film that is too smart for its own good
There’s a longish sequence in an American eatery in the second-half of this deeply flawed and yet refreshingly cool urbane…
Subhash K Jha: You will find some uncomfortable answers in City Of Gold
Move aside. There is no room for artifice in Mahesh Manjrekar’s latest work. A raw, guttural, gritty, intense, edgy, mordant…
Subhash K Jha: In Phoonk 2 you wonder what the fuss is about
In one of his multitudinous interviews to promote this intended shiver giver Ram Gopal Varma said the scariest film he…
Subhash K Jha: The style behind Paathshaala is in its inner conviction
If a piece of cinema ever had its heart in the right place, this is it. Don’t let the sluggish…
Subhash K Jha: Prince is more the Bourne territory than Ghajini
Look what the cool cat dragged in! It’s not a bird (though he does fly across the sky). It’s not…
Subhash K Jha: The Dimple-Nana relationship is endearing in Tum Milo Toh Sahi
Just for the pleasure of watching Nana Patekar and Dimple Kapadia together, this quaint and sincere look at love across…
Subhash K Jha: They don’t make screen-moms like Rekha and Hema any more!
It is deliciously ironical that during the week that our tennis queen Sania Mirza announced she would marry in Pakistan,…
Subhash K Jha: Well Done Abba is a little sparkling gem of a film.
Drawn from the innermost recesses of its extraordinarily versatile, profound and prolific creator’s mind, somewhat like the water that emerges…
Subhash K Jha: The chemistry between Warsi and Mirza is first-rate.
The sheer delight of watching Arshad Warsi playthe lead rather than the supremely self-assured sidekick gives this otherwise-pale rom-com a…
Subhash K Jha: Shaapit has a certain coherence and clarity generally denied to the horror genre
There are good spirits and bad spirits waltzing all over the place. All we have to do is reach into…
